The Swedish band that opened for them, Loney, Dear, was a great fun and an enjoyable show in itself.
Andrew Bird did not disappoint either. I've already been hooked on his latest album, Noble Beast. I listened to it three or four times through right after I opened it. This was, of course, the tour to promote the album, so it provided most of the material, though he played a few of his older fan favorites like "Fake Palindromes" and "Tables and Chairs".
I wish I were a music critic so I could adequately describe the experience. He's an unusual artist, a whistling violinist, trained in the Suzuki method from the age of four. He operates a loop machine with his feet while he performs, building up textures of pizzicato violin plucks and bowed harmonies to accompany himself which he can turn on and off with the flick of a toe (He took his shoes off about as soon as he came on stage and stood on his rug in the middle of the stage). He also plays the guitar, and slings it around his back when he trades it for his violin. He whistles harmonies perfectly against the glockenspiel, or against a plucked line on his violin. His lyrics sometimes seem like nonsense at a first listen, yet they keep me coming back for more, searching for layers of meaning.
The Seattle Times posted a story about the upcoming concert a few days ago. I quote the following from that page:
[Violin and whisting] provide the cornerstone of Bird's compositions.... The result is some of the most singular music currently made: boyish yet professorial, buoyant yet shaded with pathos. His latest record, "Noble Beast," lays bare Bird's dignified tenor as well as his knack for flawless melodies and inscrutable diction. The public has taken note — "Noble Beast" (Fat Possum) debuted late last month at No. 12 on the U.S. albums chart.I've included a video from his YouTube channel, which is fairly similar to what we saw last night, minus the film playing in the background. He even had the same sock monkey in the pinstripe suit seated just below the double phonograph horns, which spin dramatically during several songs, though not during this particular one. The video features a prototypical version of his song "Anonanimal," which he performed last night in its finished form. I find it haunting and beautiful. As always, I recommend choosing the HQ version of the video in the lower bottom corner, if you can!
UPDATE: Looks like a fellow concert-goer posted a very nice photo set on her flickr photostream.













